{"id":46274,"date":"2026-06-09T10:11:23","date_gmt":"2026-06-09T08:11:23","guid":{"rendered":"https:\/\/www.seeyousound.org\/?p=46274"},"modified":"2026-10-02T11:00:23","modified_gmt":"2026-10-02T09:00:23","slug":"le-letture-sonore-di-frequencies","status":"publish","type":"post","link":"https:\/\/www.seeyousound.org\/eng\/le-letture-sonore-di-frequencies\/","title":{"rendered":"THE SOUND READINGS OF FREQUENCIES"},"content":{"rendered":"

Images are speaking again, but above all they are making themselves heard again. In the ecosystem of Seeyousound International Music Film Festival, Frequencies<\/strong> is confirmed as one of the most fertile spaces for research and experimentation: a laboratory in which silent cinema stops being an archive and becomes living matter, rewritten by contemporary sound.<\/p>\n

Curata da Riccardo Mazza,<\/strong> the Frequencies section invites musicians, producers and sound designers every year to take on a challenge as simple in its formulation as it is complex in its outcome: to give images their voice back through an original live score. It is not a matter of accompanying cinema, but of rereading it, deforming it, expanding it. In this encounter between eras and languages, the film is never a static object, but an open field of interpretation.<\/p>\n

For the twelfth edition of the festival too, the films selected for the finalists were chosen in collaboration with the historical archive of the Museo Nazionale del Cinema di Torino, a heritage of extraordinary value for the history of cinema. The archive holds thousands of unpublished documents \u2014 screenplays, letters, contracts, notes \u2014 that bear witness to the life and work of companies, directors, screenwriters, actors and technicians of silent and sound cinema, both Italian and international. A body of over one hundred fonds and collections, made up of dossiers, papers and materials that are heterogeneous in origin and nature.<\/p>\n

 <\/p>\n

\"\"

 <\/p>\n

From this heritage, four pieces of archive footage were selected that, through live scoring, speak to us again today. Engaging with these images from the past means recognising ourselves as part of a common flow: costumes and outward forms change, but the essential gestures of being human endure, reminding us that we are part of one and the same destiny that runs through us and binds us.<\/p>\n

The finalist works of the contest are now available online, accessible to everyone: a sound archive born from the encounter between contemporary sensibilities and materials from the Archive of the Museo Nazionale del Cinema. A historical heritage that, thanks to these new compositions, is reactivated and transformed, becoming something different from its original form.<\/p>\n

The result is a set of \u201cnew sound readings\u201d that do not merely illustrate the images but interrogate them. Sound becomes a critical device: it can alter the rhythm of a sequence, change the meaning of a glance, shift the emotional centre of gravity of a scene. It is in this tension that Frequencies finds its deepest identity, that of a bridge between cinematic memory and musical imagination.<\/p>\n

The finalist live scores of this edition were created by Antonietta Milone<\/strong>, with Preambolo. Vagabondaggi filmati<\/em>, da Matteo Sarotto<\/strong> with\u00a0Birmania<\/em>, da Anna Balestrieri<\/strong> with\u00a0Afghanistan<\/em>\u00a0e da Leonardo D\u2019Angelo<\/strong> with\u00a0Nepal<\/em>. Four works, distinct in approach and sensibility, united by a shared gesture: giving silent images a voice that does not accompany them, but reinvents them.<\/p>\n

 <\/p>\n

\"\"

 <\/p>\n

The album of the finalists\u2019 live scores for the Frequencies 2026 edition \u25b7 https:\/\/vimeo.com\/showcase\/12247365<\/a><\/strong><\/span><\/p>\n

Matteo Sarotto<\/strong> plays Birmania \u25b7<\/em> https:\/\/vimeo.com\/1192881634<\/a><\/span><\/strong><\/p>\n

Leonardo D\u2019Angelo<\/strong> plays Nepal \u25b7 <\/em>https:\/\/vimeo.com\/1192882537<\/a><\/span><\/strong><\/p>\n

Antonietta Milone<\/strong> plays Preambolo. Vagabondaggi filmati<\/em> \u25b7 https:\/\/vimeo.com\/1192884084<\/strong><\/a><\/span><\/p>\n

Anna Balestrieri<\/strong> plays Afghanistan<\/em> \u25b7 https:\/\/vimeo.com\/1192885104<\/a><\/span><\/strong><\/p>","protected":false},"excerpt":{"rendered":"

The twelfth edition of SEEYOUSOUND ended on Sunday 8 March: through the numbers, we look back at the success of this edition. <\/p>","protected":false},"author":35,"featured_media":46276,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1,740],"tags":[],"class_list":["post-46274","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog","category-news"],"acf":[],"yoast_head":"\nLE LETTURE SONORE DI FREQUENCIES - SEEYOUSOUND\u2122<\/title>\n<meta name=\"description\" content=\"Frequencies \u00e8 un fertile spazio di ricerca in cui il cinema muto smette di essere archivio e diventa materia viva riscritta dal suono.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.seeyousound.org\/eng\/le-letture-sonore-di-frequencies\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"LE LETTURE SONORE DI FREQUENCIES - 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